Second person narrative in War Documentaries.
نویسندگان
چکیده
منابع مشابه
Understanding the Person through Narrative
Mental health nurses need to know their clients at depth, and to comprehend their social contexts in order to provide holistic care. Knowing persons through their stories, narratives they tell, provides contextual detail and person-revealing characteristics that make them individuals. Narratives are an everyday means of communicating experience, and there is a place for storytelling in nearly a...
متن کاملMerging second-person and first-person neuroscience.
Schilbach et al. contrast second-person and third-person approaches to social neuroscience. We discuss relations between second-person and first-person approaches, arguing that they cannot be studied in isolation. Contingency is central for converging first- and second-person approaches. Studies of embodiment show how contingencies scaffold first-person perspective and how the transition from a...
متن کاملReconceptualizing second-person interaction
Over the last couple of decades, most neuroscientific research on social cognition has been dominated by a third-person paradigm in which participating subjects are not actively engaging with other agents but merely observe them. Recently this paradigm has been challenged by researchers who promote a second-person approach to social cognition, and emphasize the importance of dynamic, real-time ...
متن کاملFirst Person Narrative Story Extraction and Retrieval
The ability to acquire, communicate and transfer complex knowledge is one of the fundamental characteristics that make us human. It should be no surprise that knowledge representation and management is seen as a fundamental problem in Artificial Intelligence research. There is certainly no requirement that a machine encode this knowledge the same way humans do. However, any decisions in represe...
متن کاملNarrative Peak Detection in Short-Form Documentaries Using Speech Recognition Transcripts
Narrative peaks are points at which the viewer perceives a spike in the level of dramatic tension within the narrative flow of a video. In this paper we describe two approaches for automatic identification of narrative peaks in short-form documentaries, within the framework of the VideoCLEF 2009 Affect Detection task. Both approaches exploit the speech recognition transcript in order to identif...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: AVANCA | CINEMA
سال: 2020
ISSN: 2184-4682,2184-0520
DOI: 10.37390/ac.v0i0.52